In Philadelphia
In the World
In the Cloud

Art and Society: The Work of Fred Forest

A retrospective exhibition about pioneering new media artist Fred Forest

Values


Fields of Knowledge
  • Artistic legacies

Organizing Institutions

Slought

Organizers

Osvaldo Romberg

Acknowledgments

This exhibition has received generous support from the l'Institut National de l'Audiovisuel, the Cultural Services of the French Embassy in the United States, the School of Arts and Sciences and the Department of English at the University of Pennsylvania, and the Maison Francaise at New York University.

Opens to public

02/03/2007

Time

6:30 pm

Locations

Slought

Address

4017 Walnut
Philadelphia, PA 19104

Economy

100% Formal - 0% Informal

Slought Foundation is pleased to announce "Art and Society: The Work of Fred Forest," a retrospective exhibition about new media artist and pioneer Fred Forest, on display in the galleries from February 3, 2007-March 23, 2007. The opening reception will take place on Saturday, February 3rd, 2007 from 6:30-8:30pm. A special seminar and conversation with artist Fred Forest concerning his practice will take place immediately before the opening from 5:30-6:30pm. The event will be jointly moderated by Michael Leruth and Jean-Michel Rabaté.

It is also our pleasure to also announce a lecture by Fred Forest on January 30, 2007 at 7 pm at La Maison Française at New York University (16 Washington Mews, New York, NY 10003).

"I have always considered that the natural field of artistic production is the terrain of social activity. A field which may be enlarged and explored thanks to the new Communication technologies. This option upsets the holders of a fixed concept of aesthetics, who are incapable of grasping the obvious articulation between this type of practice, the concept of art, and a society in transformation. We are called upon to ask the question ?Where are the frontiers of art situated?? It?s a brave man who will stick his neck out! There is no frontier. Art is an attitude?a way of relating to something, rather than a thing in itself. There is an aesthetics of behavior, an aesthetics of gesture, just as there is an aesthetics of object. We have now to take a new category into account: the aesthetics of Communication. The media of this aesthetics are often immaterial: its substance comes from the impalpable stuff of information technology. In the sky above our heads, the electrical signals of this information trace invisible, blazing and magical configurations."

-Fred Forest, For an aesthetics of communication (Plus Minus Zero, 1985)

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Fred Forest is a communication artist and theorist (born in Algeria in 1933) who has worked at the forefront of interactive art and new media, sociology, and institutional critique for over forty years. His work, frequently immaterial and relational, raises questions about the nature and function of art in a market-driven age of information. Forest has exhibited and presented at institutions including the Museum of Modern Art, New York; the Centre Georges Pompidou, Espace Pierre Cardin, and the Museum of Modern Art of the City of Paris; the Venice Biennial; Documenta 6 and 8 in Kassel, Germany; the Foundation Miro, Barcelona; and the C.A.Y.C./Center for Art and Communication, Argentina.

Fred Forest recently created the "Digital Street Corner" at the invitation of Art Basel Miami Beach 2005, in conjunction with the Cartier Foundation for Contemporary Art, Paris, and the Bass Museum of Art, Miami. This interactive network, artistic environment and "virtual happening" was co-created in real time by people on the internet, which Forest in turn choreographed and projected on an outdoor screen on the exterior wall of the Bass Museum. Also in 2005, Forest was commissioned by the National Audiovisual Institute (INA) of France to create "Memory Pictures," a website and installation, for the Great Hall in the French Ministry of Culture. In this work, the artist, digital avatars, and anonymous participants create collaborate collage works of art. In 2006, Forest launched "The Biennale of the Year 3000," a participatory new media intervention staged against the "official" São Paulo Biennale that took the form of an exhibition without curatorial selection.

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